“Composite” is a choral work with body movements created in 2014 through a workshop with children from a mountainous village in the Philippines. Since then, it has been performed in various cities, involving participants who are not professional singers. This work combines simple movements and polyphonic vocal arrangements, generating multiple rhythm patterns simultaneously, gradually building and amplifying as a group. The choral format involves the exchange of rules among different groups, creating a new methodology for performances without a central figure like a conductor.
During the performance, as the choir gradually converges, it enters a time without predetermined rules. However, a unique atmosphere and a certain sense of order establish, allowing the audience to experience the world of the piece more intensely and for an extended period.

COMPOSITE
Kayan, Tadian, Mt. Province, Philippines
University of the Philippines Deliman Campus
Sep. 2014 – Feb2015
Management Yukie Mitomi
Curator Dayang Yraola
Supported with Japan Foundation, Cordillera Green Network

COMPOSITE
KYOTO EXPERIMENT 2016 Showcase
Mar. 20-21, 2016
中尾微々, 吉川幸宏, 久保侑希実, 平井千晴, 古川はる, 澤田菜月, 光永恒行, 松本朋子, 大井卓也, 安田莉沙, 岡村有利子, 船川翔司, 山田晃嗣, 大坪孝洋, 辰巳量平, 糸井宏美, 早津和輝, 坂上こずえ

Composite : Variations
KUNSTENFESTIVALDESARTS
May. 5-10, 2017
Performance realized with the participation of local residents & Pijin Neji, Shoji Funakawa, Yumi Osanai, Miyu, Yukiko Shinozaki, Amandine Descamps, Andreia Afonso, Christophe Jaccard, Daniel Le More, Ines Calero, Mustafa Aboulkhir, Prince, in collaboration with McCloud Zicmuse